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Strobe2 is a software polysynth which puts diverse new sounds effortlessly within your reach. It builds on the original's realistic analogue modelling and deep but intuitive synthesis with a slew of enhancements and requested features. Highlights include a stunning effects section, revamped arpeggiator, deeper modulation processing, preset-morphing, randomizing and a scalable vector interface. Download fxpansion VST wrapper for free. Audio & Video tools downloads - Vst To AU Adaptor V by FXpansion and many more programs are available for instant and free download.
FXpansion continues to expand its lineup of interesting products with Strobe 2, a successor to the much loved Strobe synthesizer. It’s an analogue modeled synth that’s been heavily inspired by the Roland SH-101, Oberheim OB-1 and Sequential Circuits Pro One, though as you might expect it neither looks like any of these nor is limited by their original designs. A standalone or plug-in for Mac and PC, it’s competitively priced and easy to install and authorize. There’s a lot that’s new, so let’s dive right in.
- Nov 30, 2018 Strobe has been a permanent fixture in my VST collection for several years, and the sequel expands on it in a number of ways and also changes some of the architecture. At its core, Strobe was a.
- Download Fxpansion License Manager - real advice. BFD3 and 1 more program. Categories Mac. Log in / Sign up. FXpansion VST to RTAS. Easy to use configuration utility which scans for VST plugins on your system. Strobe is a performance synth with a cutting modern edge.
- Strobe (DCAM: Synth Squad) by FXpansion is a Virtual Instrument Audio Plugin. It functions as a VST Plugin, an Audio Units Plugin, an RTAS Plugin and an AAX Plugin.
Strobe 2 retains the original “super oscillator” from its predecessor and this has sync, stacking and detuning capabilities that enable it to sound much bigger than a single oscillator normally would. The synth is laid out logically, with a browser to the left that is searchable using categories as well as a text field. At the top is a quick preset switcher for storing multiple patches and a randomizer and morph grid for quickly mutating any patch, with freeze and lock options.
Along the top you’ll find a row of modulation sources, and any of these can be assigned to almost any parameter within the synth using the company’s TransMod system. There are now 16 slots as opposed to the original’s 8, and modulation is now animated in real time. TransMod works by letting you draw in areas around controls as modulation ranges, and it’s both powerful and intuitive to use. Initial slow mo vst free download. The interface is now vector-based which means it can scale comfortably even up to huge 4K screen resolutions.
The body of the interface can be switched between Synth, Effects and Arpeggiator sections. The effects page is a major addition and you get two effects chains, each with three slots. There are a total of 25 effects available ranging from EQs, choruses and shapers to reverb, delay and bitcrushing. There’s preset support and the effect control sections are compatible with the TransMod system for creative animation of effects. The Arpeggiator page is also revamped and features a more advanced arpeggiator as well as a modulation step sequencer lane. You get independent rate and swing controls, and it’s easy to draw data in with the mouse.
There are over 900 presets available and these cover a wide range of sounds from subtle pads through dirty basses, searing leads and skittering sequences. Many of Strobe 2’s sounds feature animation of some kind, whether it’s arpeggiation or movement created by modulation of synthesis or effect parameters using the TransMod system. The power and approachability of TransMod—a system FXpansion uses in quite a few of its products—makes modulation much easier than it can be in some other soft synths and thus makes the process of sound design both more fun and more creative. There will be some presets here that perfectly suit your needs, but tweaking them or indeed starting from scratch really isn’t difficult so you shouldn’t have any problem creating your own sounds. If you already own DCAM Synth Squad, special upgrade pricing is available via your online account.
Price: $179.00, €165.00, £119.00 inc VAT. Upgrade offer for registered DCAM Synth Squad customers: $79.00, €72.00, £52.00 inc VAT
Pros: Great depth of programmability. TransMod is powerful and creative to use. Handy new effects and expanded arpeggiator. Good performance features. Quickly create new sounds with randomization and morphing.
Cons: Nothing really!
Web: www.fxpansion.com
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Nexus2 is the kind of instrument that you go to when you don’t want to spend time programming – it’s a ROMpler rammed full of inspirational, pro-quality sounds.
Nexus is a next generation ROM synthesizer.
Nexus delivers complex, ultra-fat, contemporary soundstorms. A powerful and flexible architecture is the foundation that supports the immediately useful and spontaneously engaging design of the instrument. Every aspect of Nexus was built to produce music of the highest quality, quickly, with the least amount of fuss.
Nexus features a 32-step arpeggiator with note-transposition, a 32-step trance gate, reverb licensed from Arts Acoustic, and a sophisticated modulation-matrix that will help you sculpt the sound.
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Nexus includes a comprehensive 4GB library of over 880 sounds driven by a friendly internal librarian to find the exact sound you need in the heat of the creative moment. Features like search, favorites, and categorization are standard not only in the factory library but in all available expansions. Nexus offers an array of expansions covering a wide gamut of contemporary music styles and produced by the worlds top sound designers.
Nexus is very frugal with the CPU and careful with your RAM.
Nexus is an accessible instrument with contrast controls and several skins available which can change the appearance from black, to blue, to C64 beige
The sounds
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The Library tab enables you to browse the 762 factory presets via the faux-LCD screen. These are split into 16 subcategories, including Arpeggios, Dance Leads, Piano, Fantasy and Dream, Epic Pads, Gated Pads, Classical and more.
This amounts to 4GB of content created by Manuel Schleis, the golden-eared sound-wizard behind the acclaimed Vengeance series of dance sample discs. The manual says that “prohibitively expensive analogue hardware devices” have been sampled, and the kinds of synth patches that are tricky to recreate in software are much in evidence, such as Roland JP-8080 and Access Virus leads and pads.
Nexus2 remains a dance-music-focused product, and this is affirmed by the inclusion of an all-new expansion: Dance Vol. 2. This is in addition to the factory bank outlined above and adds 128 bang-up-to-date dance patches that are especially suited to trance, electro house and hard dance styles.
Tweaking potential
You can’t create sounds from scratch using Nexus2, or import samples into it, but there are sound-shaping options aplenty. The front panel knobs and buttons are unchanged since v1, yet the LCD panel offers some neat new tricks.
The Mod screen offers control over vibrato, portamento and pitchbend (now with a +/-48 semitone range), but the main point of interest is the spruced-up modulation matrix. This now has over 100 destinations, and all effects (except ensemble) have at least one modulatable parameter.
Mod sources include the mod wheel, aftertouch, pitchbend, CC and host automation, and twin user LFOs. When we used the first version of Nexus we grumbled about the lack of those user LFOs (they eventually debuted in v1.2), so this time we’re going to suggest that since the mod matrix is more powerful, there should be user ADSRs too.
Nexus2’s arpeggiator and Trancegate each have their own page and are among the best we’ve seen. As well as the usual arpeggiator modes for up, down, order, and so on, Nexus2’s has a mini-sequencer in which you can set the octave and – new for v2 – semitone transposition per step.
Sequences can be up to 32 steps long, and you can set the note length and velocity for each. The display zooms in and out as you adjust the length, so that the sequence always occupies its full width. Markers above the sequencer area show quarter-note beats and the current play position, and there’s a movable loop-point marker.
Fans of funk will enjoy the new Shuffle option, although we’d like eighth-note swing, too. Strangely, the random mode didn’t work – it gave the same results as the ordered one.
Whereas the arpeggiator triggers notes within the synth, the trancegate is an effect – it modulates the volume level, and can create choppy, gated trance pads. The length is now freely adjustable and new Delay and Fadein controls can introduce the gate effect gradually when a new note is played (we’d like this on the vibrato too). The marker and shuffle functionality of the arpeggiator are replicated here as well.
There are lots of preset patterns for the arp and trancegate, and you can also set odd pattern lengths for each to create shifting, prog-tastic polyrhythms.
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Mix screen and effects
The Mix screen offers perhaps the most useful new features. Nexus patches are built from up to four layers, and you can now mute layers and set their volume, panning, transpose and detune parameters. This is most welcome, and by stacking Nexus2 instances, you can effectively combine layers from separate patches.
As well as the front-panel delay and reverb, you now apply two global effects, rather than just one. They are: chorus, flanger, phaser, ensemble, degrader, distortion, phaser, and, new for v2, a stereo enhancer and an analogue phaser. A new preset librarian stores/recalls effects setups.
The stereo enhancer is handy and works on a given frequency range, but the analogue phaser is the real star. It’s licensed from ArtsAcoustic (who also supplied Nexus’s fantastic, pro-quality reverb) and gives a lush, smooth tone that distinguishes it from the existing phaser. It has more controls too, with adjustable upper/lower frequencies and up to 16 stages. With the Speed set to 0, the phaser’s position can be directly manipulated using the lower frequency value, which is a destination in the mod matrix.
A proper parametric EQ has been added, with eight filter options for each of the four bands. Oddly, the values in the display don’t correspond to the frequencies affected – when we dialled in a 5kHz boost, the peak was actually at 1kHz.
Summary
For a huge bank of high-quality, ready-to-go synthetic tones for contemporary genres, it’s hard to beat Nexus2. Many of the sounds are instantly inspiring in themselves, and the slick interface and preset categorisation help to keep that inspiration flowing.
We can’t say that about every virtual instrument and the majority of them don’t sound as good as Nexus2, either.